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Analysis English Language

The Linear Aspects of Syntax: Ideas for Your Conlangs

Doug Ball began conlanging in 1994, primarily working on a language he calls Skerre. His conlanging interest led him to discover the field of linguistics and ultimately to a career as an academic linguist. Holding degrees from the University of Rochester (BA) and Stanford University (PhD), he is currently a member of the Department of English and Linguistics faculty at Truman State University in Kirksville, Missouri. There, he teaches classes on general linguistics, theoretical phonology, theoretical morphology, and theoretical syntax as well as Native American and Polynesian languages.

Abstract

As part of an effort to encourage conlangers to explicate the syntaxes of their languages, this paper discusses several of the most common linear order generalizations found in natural languages. Among those discussed are the linear order generalizations surrounding heads, the order of verbal arguments, ordering of elements with certain information statuses, and ordering by “weight”.

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Analysis English Language

Is a Collaborative Conlang Even Possible?

Gary Shannon is a retired software engineer who has been interested in invented languages since first learning Pig Latin somewhere around 1950. He studied Esperanto briefly in 1960, but found himself more interested in “fixing what was wrong” with the language than in actually using it. He has been interested in collaborative language creation for at least 50 years, and has participated in numerous joint language creation experiments and projects.

Abstract

Historically, whenever several people become involed in the creation of a constructed language a new class of problems arise that don’t exist in projects conducted by a single individual. Very often the group splinters over disagreements about design goals and what was to be a single, common constructed language becomes two or more different languages. What causes these collaborative projects to fail? Is it even possible for a collaborative conlang project to succeed, and what conditions would have to be met for success?

 

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Conlang Descriptions English Language

Section V: Noun-Verbs

Madeline Palmer was born in Anchorage, Alaska in 1980 and lived there for most of her life until moving to Washington State, eventually attending the University of Washington, Seattle, earning a double-major degree in linguistics and anthropology. She then attended the New York University as a graduate student in linguistics, focusing primarily upon Celtic languages, a field which has long interested her. The idea for Srínawésin came to her about twenty years ago when she read a novel and began to wonder why dragons never spoke in their language in any story, legend or tale she had read. This thought led to thinking about what their language would sound like and this simple question spawned a lifelong interest in language in general and specifically how a draconic language would sound and function. This paper is the accumulation of all of that work.

Book Abstract

Srínawésin: The Language of the Kindred: A Grammar and Lexicon of the Northern Latitudinal Dialect of the Dragon Tongue

This series of papers sets out to describe and detail Srínawésin, the language spoken by dragons. As part of the paper’s fictional background it is adapted from original notes written by Howard T. Davis, a linguistics student at the University of New York from 1932 to 1937, the author attempts to present this language in a readable form for linguists as well as laypeople to give Mr. Davis’ work as wide an audience as possible. Section I includes an overview of the draconic worldview, mindset, and physical characteristics which give this language several “unique” features. In Sections II through VII the author explains the phonetic sounds which comprise the language, the morphology of the words, the ways in which verbs, nouns, adjectives, adverbs and possessives are created as well as how sentences are constructed in grammatical form according to Davis’ notes. Section VIII includes several dialogues in Srínawésin, songs, legends, poems and discussions between Davis and his sources while Sections IX and X comprise an extensive lexicon, breaking down how words are derived from the original root forms, as well as a thesaurus of root forms according to their class structure.

 

Section Abstract

Section V: Noun-Verbs

Although virtually all words in Srínawésin are inherently verbal in nature many are used as “noun-verbs” i.e. verbs used as nouns. Nouns in Srínawésin are virtually identical to verbs with the exception of having a unique set of prefixes and a restricted number of verbal endings which indicate that they are being used as what humans would call a “noun” vs. a “verb.” Section V goes over how “nouns” are conceived of by dragons; the manner which they are derived from their original verb roots in Srínawésin, how they maintain their verbality despite being functionally nouns; the various prefixes which are attached to “nouns” in order to facilitate their function within a sentence, such as object and subject prefixes, by-means-of, proximals, locatives, adjectival superlative and contrastive prefixes and the tense-inflection inherent in these prefixes; as well as the way pronouns are created and the predatory concept of gender in the language. This section serves as the basis for any use of noun-verbs and along with Section IV form the heart of this language.

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Conlang Descriptions English Language

Exolang Phonology: Vixzrinddyig

Paul Hartzer has been interested in science fiction since the time he started reading; his first “favorite book” was Madeleine L’Engle’s Wrinkle in Time. He has been writing fiction, on and off, ever since. His first published novel, The Search for the Rabbit, a sequel to Lewis Carroll’s Alice books, appeared on Lorien House in 1988 under the pseudonym P. Luc Valloglise. He holds a Master’s Degree in Linguistics from Michigan State University. He currently lives in Metro Detroit, Michigan, with his wife, son, and four cats.

Abstract

Natural language phonology is restricted by human anatomy. Likewise, conlangs with a spoken component which are intended to be spoken by humans begin with similar phonetic parameters, although they can include sounds not typically used in natural languages. Exolangs are not similarly limited by restrictions of human anatomy. However, with this freedom comes a new challenge: Just as details of human anatomy contribute to our phonetic parameters, exolang phonetic profiles ought likewise to be justified by anatomical characteristics of the sentient species using it. Also, from a practical level, there is the danger in making an exolang so alien it becomes inaccessible to human audiences. Vixzrinddyig was designed for an alien species whose articulatory system is similar, but not identical, to that of humans. As a result, its phonology is comprehendible to humans but alien nonetheless. This article discusses the linguistic strategies used in devising the phonology profile of Vixzrinddyig.

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Conlang Descriptions English Language

Section IV: True-Verbs

Madeline Palmer was born in Anchorage, Alaska in 1980 and lived there for most of her life until moving to Washington State, eventually attending the University of Washington, Seattle, earning a double-major degree in linguistics and anthropology. She then attended the New York University as a graduate student in linguistics, focusing primarily upon Celtic languages, a field which has long interested her. The idea for Srínawésin came to her about twenty years ago when she read a novel and began to wonder why dragons never spoke in their language in any story, legend or tale she had read. This thought led to thinking about what their language would sound like and this simple question spawned a lifelong interest in language in general and specifically how a draconic language would sound and function. This paper is the accumulation of all of that work.

Book Abstract

Srínawésin: The Language of the Kindred: A Grammar and Lexicon of the Northern Latitudinal Dialect of the Dragon Tongue

This series of papers sets out to describe and detail Srínawésin, the language spoken by dragons. As part of the paper’s fictional background it is adapted from original notes written by Howard T. Davis, a linguistics student at the University of New York from 1932 to 1937, the author attempts to present this language in a readable form for linguists as well as laypeople to give Mr. Davis’ work as wide an audience as possible. Section I includes an overview of the draconic worldview, mindset, and physical characteristics which give this language several “unique” features. In Sections II through VII the author explains the phonetic sounds which comprise the language, the morphology of the words, the ways in which verbs, nouns, adjectives, adverbs and possessives are created as well as how sentences are constructed in grammatical form according to Davis’ notes. Section VIII includes several dialogues in Srínawésin, songs, legends, poems and discussions between Davis and his sources while Sections IX and X comprise an extensive lexicon, breaking down how words are derived from the original root forms, as well as a thesaurus of root forms according to their class structure.

 

Section Abstract

Section IV: True-Verbs

This section of “Srínawésin: The Language of the Kindred” begins to delve into the heart of the grammatical system of the draconic language: true-verbs. Although in Srínawésin all words are inherently “verbs,” this section explains the difference between the common “verb” and the “true-verb”, i.e. a true-verb is one which can have a direct object, requires an aspect marker and other features which make it closer to what a human would consider a “verb.” Section IV goes over the possibly unique approach to ergativity in Srínawésin; the morphology of true-verbs, both intransitive, reflexive and the two main types of transitive; aspect and tense systems; an introduction to the class structure used by dragons to describe their environment; the draconic person and number structures as well as command and optative forms commonly used in everyday speech. This section contains most of the essential concepts inherent to any draconic communication and all further grammatical concepts are based on the rules underlying true-verbs.

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Conlang Descriptions English Language Essays

The Universal Character

Cave Beck (1623 to ~1700) was born the son of a baker in London, educated in Cambridge and Oxford, and spent much of his adult life working as a schoolteacher in Ipswich, England. In 1657 he produced his Universal Character, one of the very first attempts to formulate and publicise a universal language. It was published simultaneously with a French version, but neither seems to have sold readily, and there is no record of Beck ever publishing anything else.

Andy Drummond is a writer based in Edinburgh, Scotland, and has published four novels. The study of foreign languages at university enticed him in later life to investigate past attempts at creating universal languages, one of which he explored more thoroughly in his novel A Handbook of Volapük (2006). His interest in Cave Beck stems from a paper on 17th Century universal languages, which he delivered at a 2011 conference to mark the 400th anniversary of Sir Thomas Urquhart.

Abstract

The Universal Language of Cave Beck is primarily an a priori language based around a lengthy (but restrictive) list of core vocabulary and a set of simple grammatical rules. The vocabulary comprises some four thousand “primitives”, root-words which were deemed to cover all essential usage, and from which all other possible words might be derived by the application of prefixes and suffixes. These (English) words are simply arranged in alphabetical order and assigned a number from 1 to 3996. In addition to this long list, Cave proposed the continued use of around 60 Latin prepositions (sub-, super-, pro-, etc.), and of around 180 simple invented monosyllables (e.g. sef, taf, tem, sorc) for “commonly used” words (such as because, good, art, water).

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Conlang Descriptions English Language

Section II: Phonetics and Phonology and Section III: Morphology

Madeline Palmer was born in Anchorage, Alaska in 1980 and lived there for most of her life until moving to Washington State, eventually attending the University of Washington, Seattle, earning a double-major degree in linguistics and anthropology. She then attended the New York University as a graduate student in linguistics, focusing primarily upon Celtic languages, a field which has long interested her. The idea for Srínawésin came to her about twenty years ago when she read a novel and began to wonder why dragons never spoke in their language in any story, legend or tale she had read. This thought led to thinking about what their language would sound like and this simple question spawned a lifelong interest in language in general and specifically how a draconic language would sound and function. This paper is the accumulation of all of that work.

Book Abstract

Srínawésin: The Language of the Kindred: A Grammar and Lexicon of the Northern Latitudinal Dialect of the Dragon Tongue

This series of papers sets out to describe and detail Srínawésin, the language spoken by dragons. As part of the paper’s fictional background it is adapted from original notes written by Howard T. Davis, a linguistics student at the University of New York from 1932 to 1937, the author attempts to present this language in a readable form for linguists as well as laypeople to give Mr. Davis’ work as wide an audience as possible. Section I includes an overview of the draconic worldview, mindset, and physical characteristics which give this language several “unique” features. In Sections II through VII the author explains the phonetic sounds which comprise the language, the morphology of the words, the ways in which verbs, nouns, adjectives, adverbs and possessives are created as well as how sentences are constructed in grammatical form according to Davis’ notes. Section VIII includes several dialogues in Srínawésin, songs, legends, poems and discussions between Davis and his sources while Sections IX and X comprise an extensive lexicon, breaking down how words are derived from the original root forms, as well as a thesaurus of root forms according to their class structure.

 

Section Abstract

Section II: Phonetics and Phonology and Section III: Morphology

These two sections detail the phonetic, phonological and morphological ways in which Srínawésin functions. Section II covers the phonetic and phonological processes of the language, how the language is pronounced with the orthography used, how sounds behave and contract when brought together, deletion of syllables in certain contexts, stress patterns and a section on how dragons’ physiological characteristics give them particular accents when speaking human languages. Section III covers the morphological characteristics of the language with comparisons to human languages, the way verb-roots are formed, the ways in which various words are derived from verb-roots and the possibly unique tense-inflection of affixes inherent to the verbal structure of the Dragon Tongue.

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English Language Interviews

An Interview with Paul Frommer

Fredrik Ekman is a middle school language teacher living in Sweden. He has previously worked as a free-lance journalist, specializing in computers and information technology. Fredrik’s interest in constructed languages is mainly focused on artistic conlangs, and on conlangs as a tool for teaching and learning. He has also written about Edgar Rice Burroughs, and has been called “a premier Swedish ERB collector and scholar”. He is a contributing member of the Edgar Rice Burroughs Amateur Press Association (ERB-APA), and he often writes in that forum about the languages invented by Burroughs.

Abstract

During the past three decades, several languages have been created for movies and tv series. One of the most well-known is Klingon (Star Trek). As of March 2012, the latest example is Barsoomian, created by Paul Frommer (well-known for designing the Na’vi language spoken in Avatar) for the movie John Carter. The movie is adapted from Edgar Rice Burroughs’ 1912 novel A Princess of Mars, and the language is based on the Martian words found in that novel and its ten sequels. In this interview, one of his first about this new language, Frommer talks about the background and process of developing the language, as well as some of its linguistic features.

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Conlang Descriptions English Language

Introduction, A Note on the Terminology and Linguistic Methodology of This Paper, and Section I

Madeline Palmer was born in Anchorage, Alaska in 1980 and lived there for most of her life until moving to Washington State, eventually attending the University of Washington, Seattle, earning a double-major degree in linguistics and anthropology. She then attended the New York University as a graduate student in linguistics, focusing primarily upon Celtic languages, a field which has long interested her. The idea for Srínawésin came to her about twenty years ago when she read a novel and began to wonder why dragons never spoke in their language in any story, legend or tale she had read. This thought led to thinking about what their language would sound like and this simple question spawned a lifelong interest in language in general and specifically how a draconic language would sound and function. This paper is the accumulation of all of that work.

Book Abstract

Srínawésin: The Language of the Kindred: A Grammar and Lexicon of the Northern Latitudinal Dialect of the Dragon Tongue

This series of papers sets out to describe and detail Srínawésin, the language spoken by dragons. As part of the paper’s fictional background it is adapted from original notes written by Howard T. Davis, a linguistics student at the University of New York from 1932 to 1937, the author attempts to present this language in a readable form for linguists as well as laypeople to give Mr. Davis’ work as wide an audience as possible. Section I includes an overview of the draconic worldview, mindset, and physical characteristics which give this language several “unique” features. In Sections II through VII the author explains the phonetic sounds which comprise the language, the morphology of the words, the ways in which verbs, nouns, adjectives, adverbs and possessives are created as well as how sentences are constructed in grammatical form according to Davis’ notes. Section VIII includes several dialogues in Srínawésin, songs, legends, poems and discussions between Davis and his sources while Sections IX and X comprise an extensive lexicon, breaking down how words are derived from the original root forms, as well as a thesaurus of root forms according to their class structure.

 

Section Abstract

Introduction and Section I

This publication of the Srínawésin series includes Madeline Palmer’s introduction and the (fictional) account by which she came upon the original notes which this paper is based upon. Section I is an introduction to the draconic mindset, physical characteristics, worldview, “philosophy,” views on time and other factors which not only condition how their language has evolved and is used but which also makes them a wholly different and extremely difficult species to understand for the Qxnéhiréx or “Humans.”  This section also has the recital of the draconic “creation story” in Srínawésin as well as in English, a basic overview of the various types of draconic dialects as well as the history of the language and its evolution over time.
 

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English Language Essays

The Birth of a Planet (and Three Languages)

Roger F. Mills was born in Sioux Falls, South Dakota, in 1934, served in the US Army from 1956-59, and received his B.A. rather belatedly from New York University in 1964. He attended graduate school in linguistics at the University of Michigan, receiving his Ph.D. in 1975. His main professional interest has been the historical/comparative study of languages of the Indonesian area. He created his first serious conlang in 1976, then devoted much more time to conlanging from 1999 to the present. He is long retired from the fray and now lives in Saugatuck, Michigan, a tiny but amusing resort town on the shores of Lake Michigan.

Abstract

This article provides personal reminiscences of the author’s life as a conlanger, with side-trips into conculturing and world-building. Essentially, it details how he got from where he was to where he is today.

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